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TO TULSA AND BACK: ON TOUR WITH JJ CALE
A RARE GLIMPSE INTO THE
ENIGMATIC LIFE
OF AMERICAN MUSICAL CULT FIGURE
J.J. CALE
Johnny Cash, Santana, Eric Clapton, Lynyrd Skynyrd, Jerry Garcia
Cover The Quiet Musician’s Songs
While He Remains Content Away From The Spotlight
Historically Very Private, Cale Invites
Documentary Film Director Jorg Bundschuh
Along For A Troubadour’s Journey!
One of the most unassuming and talented figures in American
music. J.J. Cale has made a major impact on American music not only through
his own patented “Tulsa Sound” but also through the effect
his style and songs have had on major artists spanning genres and generations.
He is credited with originating the so-called “Tulsa Sound,”
which combines his laid-back guitar sound and almost whispered vocal style
with his early influences from Rock ’n’ Roll, Country, Blues
and Jazz. Beyond his own fervent worldwide cult following, his songs and
style have achieved a more mainstream profile via covers of his songs
by artists as diverse as Johnny Cash, Santana, Jerry Garcia, The Band,
Bryan Ferry, Lynyrd Skynyrd, Captain Beefheart, Widespread Panic and Waylon
Jennings. Eric Clapton, who recorded Cale’s “After Midnight”
and “Cocaine,” once again acknowledges Cale's influence on
his own music in a sincere and lighthearted interview in the film, To
Tulsa and Back: On Tour With J. J. Cale (released on DVD June 13th via
Time Life).
Unaffected by his success as a songwriter and his iconic status among
rock stars, Cale
leaves home only rarely to perform for his fiercely devoted fans around
the world. In a surprisingly uncharacteristic move, the enigmatic Cale
allowed German documentary filmmaker Jorg Bundschuh to accompany him on
tour, revealing his troubadour lifestyle for the first time ever. The
resulting film introduces a sweetly modest, endearing man who found success
on his own terms while his music became an alter ego of sorts, vibrant
and famous, and taking center stage. “I'm a guitarist and a songwriter
and I got lucky.” Cale modestly demurs, "I'm not a showbiz
kind of guy. I had the passion to do music as much as anybody. But I never
wanted to be the patsy up front. And I still don't want to be famous."
In a series of candid interviews, Cale takes viewers to his childhood
home in Tulsa, Oklahoma and to the legendary Cain’s Ballroom, surprised
and impishly delighted at one point to find an open door that he sneaks
through to relive his early memories of being onstage. While riding from
town to town on his tour bus, he opens up about his songwriting style
that has influenced superstars such as Dire Straits’ Mark Knopfler
and Clapton and the financial and critical success that it’s brought
him. The film makes it clear that Cale has found a satisfying and successful
life by working outside of the system.
The interviews with Cale, friends and fans are all interlaced with outstanding
live performances, archival footage, and awe-inspiring images of American
landscapes. The film runs 90 minutes, but nearly an equal amount of bonus
footage is included as well.
Featured throughout the film are 20 Cale original compositions including
favorites such as "After Midnight", "Cocaine", "Crazy
Mama", "Magnolia", "Cajun Moon", "Bringin'
It Back", "Call Me The Breeze", "Sensitive Kind",
"If You're Ever In Oklahoma" and many more drawn from his 14
album career as well as four brand new songs written specifically for
this project.
Bundschuh, who previously directed the documentary John Lee Hooker: That’s
My Story, spent two weeks on the road with Cale in 2004, capturing the
musician’s laid-back personality. As a teen growing up in Germany,
Bundschuh discovered Cale’s music in the ‘70s and immediately
fell in love with how he seemed to symbolize everything exciting about
American music. To Tulsa And Back: On Tour With J.J. Cale is currently
making the rounds on the international film festival circuit, playing
at IDFA Amsterdam, Hof International Film Festival, DOK.Fest in Munich,
Cracow Film Festival, Nashville Film Festival, The Tel-Aviv International
Documentary Film Festival and the Seattle International Film Festival.
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